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Past Exhibition
Curated by Mark Sealy in association with Bindi Vora
Unapologetically celebrating black queer bodies and pleasure as activism
Autograph
Rivington Place
London EC2A 3BA, UK
For more than 30 years, Ajamu has unapologetically celebrated black queer bodies, the erotic sense and pleasure as activism. He has been at the forefront of genderqueer photography, challenging dominant ideas around masculinity, gender, sexuality and representation of black LGBTQ+ people in the United Kingdom.
Ajamu’s evocative photographs present the lives and experiences of himself and those around him. From charged self-portraits to tender depictions of lovers, spirited images of friends to objects that his sitters use, The Patron Saint of Darkrooms foregrounds the community that has fostered an environment embracing the politics of pleasure. Since the 1980s, Ajamu has sought to use sensuality and desire as a creative practice, liberating representations of the black queer body.
“I want to pose the imagination, fiction and play in opposition to the constant framing our black queer bodies and nuanced lived experiences from within a sociological framework”
— Ajamu
Autograph has worked with Ajamu since the early 1990s, and a selection of commissioned works by the artist are shown for the first time, including Black Bodyscapes (1994), focused on the private sexual realities of black gay men. These are displayed alongside his acclaimed series Black Circus Master (1997), Ecce Homo (2023) Ajamu’s new portraits of black trans men, and more. The gallery is dominated by an imagined darkroom – coated in thick lines of latex – an allusion to the sense of anticipation in Ajamu’s process.
This exhibition addresses important issues around sensual identities and lived experience. We'd like you to know before your visit that some images on display include nudity and sexual imagery. Under 16s must be accompanied by an adult.
This exhibition contains latex and may cause allergic reactions.
Exhibition installation at Autograph
Heels, 1993
Self-Portrait on Chez Lounge, 1998
Black Circus Master, 1997
%20Ajamu%2C%20Malcom%20and%20Chris%20from%20the%20series%20Black%20Bodyscapes%2C%201992.%20Commissioned%20by%20Autograph%2C%20London.jpg)
Malcom and Chris, 1992
Ajamu (1963, Huddersfield, UK) is a photographic artist, scholar, archive curator and radical sex activist best known for his imagery that challenges dominant ideas around black masculinity, gender, sexuality, and representation of black LGBTQ+ people in the United Kingdom.
He is the co-founder of rukus! Federation and the rukus! Black Lesbian, Gay, Bisexual, Trans, Queer + Archive and one of a few leading specialists on Black British LGBTQ+ history, heritage, and cultural memory in the UK. In 1997, Ajamu was the Autograph x Lightwork artist-in-residence in Syracuse, USA developing a series of self-portraits during his residency. He studied at the Jan van Eyck Akademie, Maastricht, The Netherlands, and is currently an PhD candidate at Royal College of Art, London. In 2022 Ajamu was canonised by The Trans Pennine Traveling Sisters as The Patron Saint of Darkrooms in his hometown Huddersfield and he received an honorary fellowship from the Royal photographic society.
Ajamu’s works have been shown in exhibitions in museums, galleries, and alternatives spaces across globally since the 1990s, his recent solo exhibitions include Archival Senoria at Cubitt Gallery, 2021. As well as included in several thematic group Very Private? at Charleston House, 2022; Fashioning Masculinities, Victoria and Albert Museum, 2022; Kiss My Genders, Hayward Gallery, 2019; Get Up, Stand Up Now, Somerset House, 2019; On our Backs: The Revolution Art of Queer Sex Work, Leslie Lohman Museum, 2019. His works are currently on show as part of the group exhibition A Hard Man is Good to Find! at The Photographers’ Gallery, London. Ajamu’s works are held in collections including Tate, London; Gallery of Modern Art, Glasgow; Autograph, London; Neuberger Museum of Art, New York amongst others. His second monograph AJAMU: ARCHIVE was published in 2021.
Thu 6 Jul, 6-8pm
A celebration (with sparkle and joy) of Ajamu's exhibition, personal journeys and liberating representations of the black queer body
Thu 27 Apr, 6 - 8pm
Join us for the launch of two new exhibitions at Autograph's gallery this spring
Everyone is welcome at Autograph. Planning a visit? Have a look at our Visit Us page to find out more about getting to the gallery, accessibility and more.
Autograph welcomes people with all types of disabilities.
Our building and entrance is step free. A wheelchair accessible lift goes to all floors.
View a gallery of Ajamu's photographs from his recent book ARCHIVE
View gallery
Jason Okundaye considers the significance of queer erotica in the archives of Black cultural memory
Read blog post | 4 min read
Find out more about Fani-Kayode's photograph in our collection highlights
Read moreView the full series of portraits representing and celebrating black trans men
View galleryArt historian Edwin Coomasaru considers how Black British trans masculinities are shaped by and resist histories of racist colonialism, reimagining gender itself as unfixed and unbound
Read blog post | 8 min read
A new exhibition, 28 Apr – 2 Sep 2023
How photography can shift meanings and histories – ‘fixing shadows’ of legacy, absence, and revival.
Have a few moments to take a quick survey? Your feedback is invaluable
Take survey The exhibition title The Patron Saint of Darkrooms reflects a title bestowed on the artist by the The Trans Pennine Traveling Sisters.
Banner image: Ajamu, Power Drill Heels [detail], 2021. © and courtesy Ajamu.
Exhibition preview: 1) Ajamu: The Patron Saint of Darkrooms exhibition at Autograph. 28 April - 2 September 2023. Curated by Mark Sealy in association with Bindi Vora. Photograph by Kate Elliott. 2-5) All images © and courtesy Ajamu
About the artist: Ajamu signing prints of Power Drill Heels at Autograph, 2021. Courtesy Renée Mussai. Residency: Ajamu X, Aura [detail], 1992. © and courtesy Ajamu X.
Coming up at Autograph: Eric Gyamfi, from the ongoing series Fixing Shadows: Julius and I [detail]. Courtesy the artist. The original photograph of Julius Eastman used in this series is by Donald W. Burkhardt.
Autograph is a place to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.
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