Autograph's new exhibition Our Bodies Have Been Bridges offers multiple perspectives on indigenous, diasporic feminist practices - affirming both the body and memory as active, generative forces. Exploring the branching paths of tracing lost origins, Tarrah Krajank's El Jardin de Senderos que se Bifurcan navigates the intersection of personal and collective history. In Koyoltzintli's series Meda, the artist asks, How do you think your oldest ancestors would touch this land? Together, the artist's work is rooted in matrilineal lineages and gendered politics, inseparable from political and cultural realities.
The discussion will be chaired by Bindi Vora, Senior Curator at Autograph and curator of Our Bodies Have Been Bridges, bringing together these intersecting perspectives to explore how artists use lens-based practices to reclaim histories, sustain ancestral knowledge, and imagine liberatory futures.
The ticket price for this event is £5. No one will be turned away for lack of funds. If this ticket price is unaffordable for you, please get in touch with Harriet at harriet@autograph-abp.co.uk about free ticketing options.

Koyoltzintli (born 1983, New York City, USA) is an interdisciplinary artist and educator based in Ulster County, New York. She was raised on the Pacific coast and in the Andean mountains of Ecuador. Her work revolves around sound, ancestral technologies, ritual, and storytelling, blending collaborative processes with personal narratives.
She is interested in a sensitive, intuitive approach to documentary style photography, unravelling the tension between the obscuring and unveiling of identity, knowing and unknowing, desire and fear.
Minnicucci studied Fine Art Film and Video at Central St. Martins. She is Head of Photography at Thomas Tallis School in south east London.

Tarrah Krajnak (born 1979, Lima, Peru) is an artist and educator based in Los Angeles. She is an Associate Professor of Art at UCLA, and is represented by Galerie Thomas Zander, Cologne.
Krajnak is the recipient of the 2025 Henri Cartier-Bresson Creation Award, a Guggenheim Fellowship, the Louis Roederer Discovery Award at Les Rencontres d'Arles, and the Dorothea Lange- Paul Taylor Prize among others. She has published three books including El Jardín De Senderos Que Se Bifurcan (DAIS 2021), Master Rituals II: Weston's Nudes (TBW 2022) and RePose (FW Books 2023).

Bindi Vora is an interdisciplinary artist of Kenyan-Indian heritage, associate lecturer at LCC and senior curator at Autograph, London. She interested in how ideas of resistance and resilience are shaped by our surroundings, histories and lived experiences.
Her practice often combines glyphs and an archive of personal and found photographs procured over the last decade to draw on the intersections between language, culture and their inherent power dynamics.
Free Exhibition
How does the body carry personal and collective memory?

Everyone is welcome at Autograph. Planning a visit? Have a look at our Visit Us page to find out more about getting to the gallery, accessibility and more.
The ticket price for this event is £5. No one will be turned away for lack of funds. If this ticket price is unaffordable for you please get in touch at info@autograph-abp.co.uk about free ticketing options.
Autograph's events are popular, and often sell out. We recommend booking a ticket in advance. If you need to cancel your ticket for any reason, you can receive a refund up to 24 hours before the start of the event. You do not need to bring your paper ticket to the event.
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Banner image: Koyoltzintli, Obsidian Woman, 2019. From the series Meda. Courtesy the artist.
Images on page: Speakers: 1-3) Courtesy the speakers.
4): Autograph, London. Photograph by Kate Elliott.
Autograph is a space to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.