Poulomi Desai is a multimedia artist whose activist practice is anchored in what she describes as an ‘electromagnetic dissonant black noise for future dreams’. For more than three decades, Desai developed collaborative investigations and provocations, using performance, language, photography and sound to create compelling art advocacy projects.
Autograph commissioned Desai to create new work in response to the wider context of the Covid-19 pandemic for our project Care | Contagion | Community — Self & Other. Her new series Our cultures are the portals - the gateways between one world and the next (2020) takes it cue from Arundhati Roy’s essay The Pandemic as Portal, published at the start of the Covid-19 outbreak. Desai collaborated with her elderly mother to make these densely layered works using everyday rituals of disinfecting and communicating through barriers as an opportunity to reflect on the economics of care, control and compliance. In these twelve works Desai inoculated a series of petri dishes with bacteria combining personal ephemera, salvaged debris and newspaper clippings to evoke the spread of the virus – photographing them at various stages of their evolution.
To contextualise this new artist commission Autograph invited writer and curator Tarini Malik to reflect on notions of cultural heritage, collaboration and familial relationships. This short essay is published alongside an in-conversation between the artist and Autograph's director Mark Sealy.
Desai's commission also includes five works that are overlaid with semi-transparent A4 acetate sheets. These pieces add an additional layer of meaning to the initial photographs, drawing the viewer’s attention to different parts of the image, concealing elements whilst emphasising others. In the artist’s own words:
“Floating on top of the sealed petri dish portraits / landscapes, all the prints are, in a way, hyper-representations of the original works. As part of the process of discovering what might unfold, a small acetate print was embedded in the first petri dish created: one pre-sealant / ‘pre- decontamination’, and one after being sealed’.” — Poulomi Desai
Poulomi Desai is a multimedia artist whose activist practice is anchored in what she describes as an ‘electromagnetic dissonant black noise for future dreams’. For more than three decades, Desai developed collaborative investigations and provocations, using performance, language, photography and sound to create compelling art advocacy projects.
Desai has dedicated many years to photographing diverse queer communities, brought together in the exhibition and book Red Threads: The South Asian Queer Connection in Photographs (1980 – 2003). In the 1980s and 90s Desai co-founded several important initiatives – such as the first South Asian LGBTTQ+ campaigning organisation Shakti; the Naz Foundation International (an HIV / AIDS charity in India), and the HAC theatre company. Since 2010, Desai has led Usurp Art gallery and studios, the first and only artist-led creative space in the London Borough of Harrow. Her recent haptic works form part of the Heritage Quay archives, where she has been a Leverhulme Trust Research Fellow since 2016.
Desai’s recent performances and installations include Fort Process, Clandestino, Colour Out Space, Supernormal Festivals and appearances at Café Oto, London. She has been commissioned in the past by Autograph, Serpentine Gallery, The Photographers’ Gallery, Science Museum, Iniva, and internationally by The Queens Museum (USA) and The Oxford Gallery (India) amongst many others. She is currently working with The Bishopsgate Institute on the preservation of her historical archives.
Initiated during the first months of lockdown in 2020, Autograph commissioned ten UK-based creative practitioners to create new work in response to the wider contexts of the Covid-19 crisis.
Find out moreVirtually visit the Care | Contagion | Community — Self & Other exhibition at Autograph
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Autograph is a place to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.
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