0
- 0
0
In the two decades before the end of the millennium, Black female photographers and artists played a significant role in shaping the cultural landscape of the UK, fostering a radical and unique voice that was a key driving force of the independent art scene of the 1980s and 1990s. With their work largely underrepresented across established institutions, publishers and art dealers, these women came to embody a spirit of self-organisation and community, curating their own exhibitions, events and publications. Artists include Poulomi Desai, Addela Khan, Ingrid Pollard, Maud Sulter, Maxine Walker and many others.
In June 2019, Joy Gregory gave an illustrated gallery lecture at Autograph about this legacy. At this sold-out event, she shared the cultural landscape at the time and some of the artists creating work. Systemic archiving before the internet was an unaffordable luxury for many, and the domain of museums and institutions. As a result, much of this history has gone uncollected and unarchived.
We have partnered with independent visual art publisher MACK to produce the first book dedicated to this legacy, with Joy Gregory as editor. For the first time, Shining Lights presents a broad review of the key artists of the time, offering a unique record of this radical and ground-breaking period of British photographic history.
And distributed worldwide
Shining Lights showcases the work of 57 photographers
First-hand experiences and critical reflections have been commissioned for the book
Joy Gregory spoke about the project at the 2023 Art History Festival
Sharing the research and the conversations that were developed through the project with audiences at the V&A
Winner of the 2024 Paris Photo-Aperture PhotoBook awards
Joy Gregory with Sherlee Mitchell sorting through Mitchell's collection of negatives
Taous Dahmani in the studio
Joy Gregory at a tea party for Shining Lights at 198 Gallery, Brixton
Tea party introducing Shining Lights at 198 Gallery, Brixton
Trying to find images to illustrate the 'Shining Lights' talk to coincide with Maxine Walker's 2019 show at Autograph taught me that if you don't tell your story as far as the world is concerned it never happened.
It has been a delight to rediscover the diversity of practice and work produced in the UK during that period by this group of incredible photographers.
Celebrated for her pioneering work on self-identity and auto-portraiture in the late 1980s and early 1990s, Gregory’s intimate engagement with ideas around blackness, femininity, and beauty is epitomised in her seminal series Autoportrait (1989/90). Autograph’s first artist commission, the series was a direct response to the lack of representation of black women within lifestyle consumer magazines.
Her subsequent body of work Objects of Beauty (1992-1995) delved into questions of aesthetics and body politics, combining the Victorian process of kallitypes to capture a range of objects often associated with feminine beauty and constraints of Western fashion industry. Similarly, themed artistic investigations continued with series such as Girl Thing (2000-2005), Cinderella Tours Europe, (1997 – 2001), and Fairest, (1998/2010). Gregory has worked and exhibited widely both in the UK and internationally and participated in numerous biennales and festivals over the years, including the 2017 Venice Biennale where her work was represented in the off-site Diaspora Pavilion. Recent works include Overlooked and Underreported (2017), Coloured Girls (2018), Home (2018), The World is a Handkerchief (2019) and Barbie at Sixty (2019-20). Alongside the continuation of a long-term project in the Kalahari and several collaborative projects in development, Gregory has recently completed a commission for the Black Cultural Archives Breaking Barriers (2019-20). Her work is represented in the collections of Autograph, London; Victoria and Albert Museum, London; Arts Council Collection, UK; The Institute of Modern Art, Brisbane, Australia; and Yale British Art Collection, USA.
You can follow Gregory on Instagram, and see more work on her website.
is a French, British and Algerian art historian, writer and curator specialising in photography. Her academic research focuses on the photographic representation of struggles and the struggle for photographic representations.
Her projects mainly involve the links between photography and politics — such as the visual culture of protests, migratory narratives and intersectional feminist discourses. She has published in various journals and art magazines, and regularly gives papers in academic conferences, and holds public ‘in-conversations’ with photographers. She works between Marseille and London. Dahmani is also editor and content advisor at The Eyes, a trustee of the Photo Oxford Festival and serves on the editorial board of MAI: Visual Culture and Feminism. She is the 2022 Louis Roederer Discovery Award curator at Rencontres d’Arles.
Nudrat Afza, Brenda Agard, Jananne Al-Ani, Margaret Banton, Jennie Baptiste, Sabera Bham, Zarina Bhimji, Sutapa Biswas, Mohini Chandra, Lisa Cheung, Xenia Demetriou, Poulomi Desai, Suki Dhanda, Lola Flash, Joy Gregory, Leslie Hakim-Dowek, Mona Hatoum, Claudette Holmes, Laxmi Jamdagni, Tara Jang, Joy Kahumbu, Mumtaz Karimjee, Roshini Kempadoo, Maria Kheirkhah, Chila Kumari Burman, Maria Luiza Melo Carvalho, Anita J. Mckenzie, Marcia Michael, Sherlee Mitchell, Jacqueline Moran Daubercies, Henna Nadeem, Glynis A. Neslen, Virginia Nimarkoh, Pratibha Parmar, Bharti Parmar, Amina Patel, Symrath Patti, Maria Pedro, Eileen Perrier, Cristina Piza, Ingrid Pollard (MBE), Samena Rana, Suzanne Roden, Zineb Sedira, Anna Sherbany, Marlene Smith, Veena Stephenson, Delta Streete, Maud Sulter, Annette Sylvester, Mitra Tabrizian, Menika Van Der Poorten, Merle Van Den Bosch, Maxine Walker, Sharron Wallace, Geraldine Walsh, and Carole Wright.
Shining Lights is co-published by MACK and Autograph, London and is edited by Joy Gregory.
Autograph thanks Taous Dahmani for her role as associate editor, all of the contributors, and the team at MACK.
Images on page: courtesy of Joy Gregory
About the editor: Image of Joy Gregory © Sunil Gupta, courtesy Hales Gallery.
About the associate editor: Image courtesy of Taous Dahmani.
Autograph is a place to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.
Donate
Join our mailing list
