In the artist’s own words: ‘my desire is to recover a visual and aural narrative of my matrilineal history and reunite the present with the past. The body is testament to the refusal to forget. The body, my mother’s body, is all of my histories’.

Adapting call and response as a visual methodology, Michael’s call for historical understanding is met by her mother’s response permitting the search to be mediated through her body. The resulting visual conversation is unsettling in its revelatory rawness, and affirmative in its courageous offering: a ‘dialogue of matrilineage’.

Concerned with ancestral history and re-remembering, many of the photographs’ titles include the Latin Partus sequitur ventrem: ‘that which is brought forth follows the womb’. This historical law, which decreed that the social status of the mother is inherited by the child, shapes the mother for Michael as both maker and marker of history.

In the video Remembering You Remember Me, Myrtle McKnight is presented in five simultaneous frames, each retelling the birth of her child. The layered, poly-vocal narrative of her uncensored maternal voice creates a powerful and disorientating effect, recovering the history of a matrilineal memory.

The exhibition includes a selection of works from Marcia Michael’s multidisciplinary project The Object of My Gaze (2015–17).