Claude, Samuel, Zanele

26 Oct 2018 - 10 Feb 2019
ANTWERP: FOTOMUSEUM (FOMU)

€10/ €3 (under 26)

Curated by Rein Deslé, Joachim Naudts and Renée Mussai

FOTOMUSEUM (FOMU), ANTWERP 


Waalsekaai 47
2000 Antwerp
Belgium


opening Times

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

Sunday

Closed

10am - 6pm

10am - 6pm

10am - 6pm

10am - 6pm

10am - 6pm

10am - 6pm

About the exhibition

See an iteration of our exhibition Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness in a new three-artist group show, alongside works by Claude Cahun and Samuel Fosso.

Claude, Samuel, Zanele explores self-portraiture and how each photographer addresses issues of politics, race, gender and identity in their work.

Thirty-five works by Muholi are in the exhibition, including four works commissioned by Autograph in 2017 and from our permanent collection.

Visual activist Muholi uses their body as a canvas to confront the politics of race and representation in the visual archive. Read More


In Somnyama Ngonyamawhich translates to 'Hail The Dark Lioness' in isiZulu, Muholi playfully employs the conventions of classical painting, fashion photography, and the familiar tropes of ethnographic imagery to rearticulate contemporary identity politics. Each black and white self-portrait asks critical questions about social injustice, human rights, and contested representations of the Black body.

Muholi states: “I’m reclaiming my blackness, which I feel is continuously performed by the privileged other. My reality is that I do not mimic being Black; it is my skin, and the experience of being Black is deeply entrenched in me. Just like our ancestors, we live as Black people 365 days a year, and we should speak without fear." 

By increasing the contrast in post-production, the dark complexion of Muholi’s skin becomes the focal point of interrogations of beauty, pride, desire, and interlinked phobias and isms that must be navigated daily such as homophobia, transphobia, xenophobia, racism, and sexism.

The photographs were taken between 2014 and 2017 in Europe, North America, Asia, and Africa. In Muholi’s work, found objects are transformed from the everyday into dramatic and historically loaded props, merging the political with the aesthetic. Scouring pads and latex gloves address themes of domestic servitude while alluding to sexual politics, violence, and the often-suffocating prisms of gendered identity. Rubber tires, cable ties, or electrical cords invoke forms of social brutality and exploitation, often commenting on events in South Africa’s history. Materials such as plastic draw attention to environmental issues and global waste. Accessories like cowrie shells and beaded fly whisks highlight Western fascinations with clichéd, exoticized representations of African cultures.

Gazing defiantly at the camera, Muholi challenges viewers’ perceptions while firmly asserting their cultural identity on their own terms. 

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Claude, Samuel, Zanele

Read more about the exhibition



About the artist

Zanele Muholi (South Africa, b. 1972) is a visual activist and photographer based in Johannesburg. Muholi’s self-proclaimed mission is “to re-write a Black queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in South Africa and beyond.”

Muholi co-founded the Forum for Empowerment of Women (FEW) in 2002 and Inkanyiso (www.inkanyiso.org), a forum for queer and visual (activist) media, in 2009.

Muholi studied Advanced Photography at the Market Photo Workshop in Newtown, Johannesburg, and in 2009 completed an MFA: Documentary Media at Ryerson University in Toronto. In 2013, they became an honorary professor at the University of the Arts/Hochschule für Künste Bremen. Most recently, Muholi was bestowed France’s highest cultural honor, the Chevalier de l'Ordre des Arts des Lettres. They were included in the South African pavilion at the 55th Venice Biennale (2013) and took part in the São Paolo Biennial (2010) and documenta 13, Kassel (2013). 

Read More

Recent solo exhibitions include the Brooklyn Museum, New York (2015); Rencontres D’Arles (2016); and Stedelijk Museum, Amsterdam (2017). Their photographs are represented in the collections of Centre Georges Pompidou (Paris), the Guggenheim (New York), Museum of Contemporary Photography (Chicago), Tate Modern (London), South African National Gallery (Cape Town), and others.

They are represented by Yancey Richardson, New York, and Stevenson, Cape Town/Johannesburg.

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Supported using public funding by Arts Council England


A selection of works in Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness have been loaned from the Luma Foundation.

Banner image: ZaKi, Kyoto, Japan, 2017. © Zanele Muholi, courtesy Autograph.

Page images, from top left: 1) Ntozakhe II [detail], Parktown, 2016 © Zanele Muholi Courtesy of Stevenson, Cape Town/ Johannesburg and Yancey Richardson, New York. 2) Bester I [detail], Mayotte, 2015 © Zanele Muholi Courtesy of Stevenson, Cape Town/ Johannesburg and Yancey Richardson, New York. 3) Somnyama Ngonyama II [detail], Oslo, 2015 © Zanele Muholi Courtesy of Stevenson, Cape Town/ Johannesburg and Yancey Richardson, New York.