Autograph is developing a new solo exhibition by Charan Singh at our gallery in Shoreditch, featuring new commissioned work presented for the first time.
Singh’s practice is informed by more than two decades of HIV/AIDS advocacy in India and community activism. His work seeks to reclaim subaltern queer identities – including Hijra communities, long-established South Asian trans and gender-diverse groups, and Kothi communities, feminised queer and trans feminine identities – who have historically been placed outside dominant social structures.
From the 1980s onward, Acquired Immunodeficiency Syndrome (AIDS) profoundly affected the Hijra and Kothi communities in South Asia due to structural marginalisation, archaic anti-sodomy laws, stigma and economic vulnerability. Life-saving information about HIV/AIDS circulated primarily in English, with no equivalent available in their mother tongue, this linguistic absence mirrored a broader cultural erasure.
Sitting at the intersection of gender, desire and the intertwined histories of Britain and India, Your Tongue in My Mouth examines how queer narratives have been obscured, omitted and reshaped by colonial legacies in both countries – particularly through the politics of language.
Through a combination of studio portraiture, archival intervention and storytelling, Singh will explore how the English language continues to shape visual, legal and cultural imaginaries of queerness in the subcontinent.

Charan Singh (born 1978, Delhi, India) is an interdisciplinary artist who explores the mediums of photography, video and text to understand how language shapes queer landscapes and the politics of representation.
Prior to coming to the UK in 2012, Singh was a non-English speaker and had an unusual relationship with the English language, where words got altered and they adopted new meanings. He often uses his 'pre-English language' gay life to question the legitimacy of certain forms of queer histories in India and the UK.
Previously an AIDS worker in India, he retrained as an artist, leading to a research interest in queer theory that comes from a place of the void of subaltern representations and the desire to agitate that void and foregrounds the significance of storytelling as a knowledge system.
Singh holds a master's in fine art from the University of Creative Arts, Farnham and a PhD from the Royal College of Art. His work has been exhibited at The Art House, Wakefield; The Photographers’ Gallery, FotoFest, Houston amongst others. His writing has appeared in Photo South Asia, TAP Review and On Curating. Singh has been commissioned by Visual Aids (New York), The Art House, Wakefield and Fierce, Birmingham. He lives and works between London and Delhi.
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Banner image: Charan Singh, The Reader [detail] from the series The Promise of Beauty, 2023 – ongoing. Image courtesy the artist and SepiaEye, New York. © Charan Singh. All Rights Reserved, DACS, 2025.
Exhibition preview: 1) Charan Singh, Untitled 6 from the series Kothis, Hijras, Giriyas and Others, 2013. Image courtesy the artist and SepiaEye, New York. © Charan Singh. All Rights Reserved, DACS, 2025. 2) Charan Singh, The Languishing Prince from the series The Promise of Beauty, 2023 – ongoing. Image courtesy the artist and SepiaEye, New York. © Charan Singh. All Rights Reserved, DACS, 2025. 3) Charan Singh, Untitled 12 from the series Kothis, Hijras, Giriyas and Others, 2013. Image courtesy the artist and SepiaEye, New York. © Charan Singh. All Rights Reserved, DACS, 2025.
About the artist: Courtesy the artist.
Autograph is a space to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.