Lloyd Bradley, author of Sounds Like London: 100 Years of Black Music in the Capital, discusses a century of cultural contribution from the Commonwealth, and how it changed the face of British music.
From jazz to calypso to soul to lovers rock to jazz/funk to Soul II Soul to jungle to garage to grime to dubstep, thanks to a constant influx of musicians and ideas from countries such as Trinidad, Ghana, Nigeria, Jamaica, Sierra Leone, Guyana, Antigua and South Africa, British black music remains one of the world’s most fertile creative environments.
Lloyd Bradley is one of the UK’s leading black music experts and cultural commentators, and has been documenting modern black music and culture from the UK, Jamaica and the US for over thirty years. He is the author, among others, of Bass Culture: When Reggae Was King (Penguin); Sounds Like London: 100 Years of Black Music in the Capital (Serpents Tail) and co-author of Ian Wright: A Life In Football (LittleBrown).
AUTOGRAPH
Rivington Place
London
EC2A 3BA
Opening Times
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
Sunday
Closed
11am - 6pm
11am - 6pm
11am - 9pm
11am - 6pm
12 noon - 6pm
Closed
VISITOR CONTACT
T: 020 7749 1240
E: info@rivingtonplace.org
Images, from top: Syd Shelton, Ranking Roger, The Beat. Rock Against Racism, Coventry, 1981. 2) Frankyln Rodgers, Loretta Rodgers, 31 January 2006.
Autograph is a place to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.
Donate Join our mailing list