For Autograph's project Care | Contagion | Community — Self & Other, we commissioned ten UK-based visual artists to create new bodies of work in response to the wider context of the global pandemic. We then invited ten writers – each paired with one of the artists – to produce a short re-flective essay contextualising these new artworks made.
Reflecting on the materiality of nature and the oneness of things, writer and curator Loren Hansi Gordon unpacks the symbolic meanings of Ohiri's new work Equation for Humanity (2020).
Karl Ohiri’s daily walks have led him to reconnect with one of nature’s most unchanging and long-lasting creations; rocks and stones are collections of matter that take shape over thousands of years and maintain their form for thousands more. In their presence Ohiri reflects on what it means to be human.
‘On my walks I would pass trees and stones embedded in the ground, many of them hundreds of years old, a reminder of the passage of time and one’s own mortality.’ (Ohiri, 2020)
In a year that has forced us to slow down, to stand still, to face death’s daily count, time has taken on new meanings. A 100 years on a human scale is a long expanse of life, while in geological terms it is barely an in-breath. Stones and rocks lie where they fall and bear witness.
Here we are in a year that made us feel time differently, all the while hopeful to see another birthday, hearts wrenched out with the thought of all of the many thousands of humans who died this year, due to Covid-19. Faced with mortality humans are abruptly reminded of the materiality of the body, that to the earth we will return. In search of what it means to be human, Ohiri reflects on our relationship to the materiality of nature, and to our fellow humans.
Loren Hansi Gordon is a writer, art curator and designer fascinated by things that connect us, as humans. She is Storytelling & Strategic Comms Consultant at FutureGov, a change agency, on a mission to build 21st-century public sector organisations that are catalysts for change in the internet and climate era.
Hansi’s upcoming exhibition Laced: an exploration of love, labour and liberty will open at New Art Exchange, Nottingham in Autumn 2021. Between 2016-20 Hansi founded and ran Future Assembly, a platform for artists’ development and experimentation that includes a residency, commissioning and exhibitions. Her other recent projects and collaborations include: (Interim) Programme and Digital Content Manager at the Stuart Hall Foundation (2019); co-curating UNTITLED: art on the conditions of our time, New Art Exchange (2017- touring); curating Concerning Symmetry selected artists’ moving image from the Emile Stipp Collection (2016); producing Promised Land, Culture+Conflict (2016), and publishing her first book 9 Weeks with Stevenson (2016).
You can read her personal blog on happiness, friendship and connection in a digital age over on Medium.
See the full artist commission by Karl Ohiri
Read an interview with the artist and Autograph's Bindi Vora
Renée Mussai introduces the new artist commissions in a curatorial essay One (Pandemic) Year On...
Read the introduction to the Care | Contagion | Community project
Visit the Care | Contagion | Community — Self & Other exhibition at Autograph's gallery
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Autograph is a place to see things differently. Since 1988, we have championed photography that explores issues of race, identity, representation, human rights and social justice, sharing how photographs reflect lived experiences and shape our understanding of ourselves and others.
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